Avs Superstar Leads Canada To Crucial 4 Nations Face-Off Win, Sets Up Showdown With America

The National Weather Service issued “increased fire danger” alerts for North and South Carolina on Tuesday as firefighter crews continued to battle more than 170 wildfires across both states since last weekend. The fires have prompted evacuations in certain areas and a state of emergency declaration.

Even with its name in unlit lights, Operation Mincemeat, the hit London musical that’s just arrived on Broadway, sold out its first preview Saturday at the John Golden Theatre, taking in $111,459 in ticket sales for the single performance.

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Shares of Lightspeed Commerce (LSPD.TO)(LSPD) fell as much as 18 per cent on Thursday, after the company dropped plans for a potential sale and says it will remain public while introducing a $400 million share repurchase program.

“Nothing in his life became him like the leaving it.” OK, that’s the wrong play since it’s a line from “Macbeth,” but it best sums up Jonathan Bailey’s performance in the new London production of “Richard II”: The actor cranks up several gears the moment his character is forced by usurper Henry Bullingbrook to give up the throne of England for a life of imprisonment in the second half of director Nicholas Hytner’s staging of Shakespeare’s history play. But the fact that Bailey takes time to catch fire is not entirely his fault, since neither Shakespeare nor Hytner make life easy for him. Given that the play is set at the close of the 14th century, it’s no surprise that Hytner believes the play, which depicts the ushering in of a nation’s decades-long succession crisis, needs contemporary reference points. That explains composer Grant Olding’s doom-laden, grinding, low strings that herald a driving rhythm and a light-touch, bitter piano melody opening the production, a clear hat-tip to Nicholas Britell’s Beethoven-tinged theme to “Succession.” It also governs Bob Crowley’s crisp men-in-black-suits design. The antithesis of the exuberantly colored “Guys and Dolls,” the last show to play at Hytner’s physically versatile Bridge Theatre (and which ran almost two years), this limited run of “Richard II” is stripped-down and stern. Gone is the expected heraldry and splendor of the English court in which King Richard traditionally basks. Instead, the audience is arranged in the round observing a traverse-style black runway staging with changing, minimal locations being lifted up through the floor on hydraulics. It makes for welcome fluidity, highly useful in a play that, for the first half at least, moves through an uncomfortable number of locations and a load of exposition.This is a story about the threat to the kingdom and, specifically, Richard, who ruled neither wisely nor well with absolute power by ancient Divine Right. The nation is torn apart by the plots and counterplots of men and their forces loyal to the crown and those backing Henry Bullingbrook, the Duke of Hereford who, successfully as it turns out, puts his eyes on the ultimate prize and steals it.That the tussle for dominance between the men is so potentially dramatic is illustrated by the fact that around fifty years ago, Richard Pasco and Ian Richardson, two leading Shakespeareans of their day, alternated the roles when they led the play in a celebrated RSC production. Here, alas, the balance is uneven. Royce Pierreson is nicely forthright and determined but his performance is unvarying. The wonderfully character-driven abdication scene between the two men is the production’s highpoint, but elsewhere Pierreson’s determination is too one-note. Anyone questioning the wisdom of the star-casting of “Bridgerton” and “Wicked” talent Bailey should bear in mind that he played Cassio in Hytner’s riveting “Othello” at the National Theatre back in 2013 and followed that with an arresting Edgar/Mad Tom opposite Ian McKellen’s King Lear for director Jonathan Munby. As a result, his handling of the language and, crucially, the intent behind it, is entirely easeful. His king is self-satisfied and perfectly petulant, dispatching orders, and often men’s lives, with gleaming disdain. He’s even better when he’s calmly and quietly coming to understand himself and the nature of his previous selfishness in the play’s highly reflective and tender final scenes.But between those extremes of temperament, the living center of the character remains unseen, robbing the production of strength. That’s partly because he has to energize scenes that here lack force. Hytner is unquestionably one of the great directors of Shakespeare, but this production is uncharacteristically undercast in places. Some of the acting proves more proficient than powerful.

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The Ottawa Senators got a grand total of two shots in the third period on Tuesday night and scored on both of them to defeat the Philadelphia Flyers 5-2 at Wells Fargo Center.

Halle Berry wants women to celebrate the menopause by throwing a "shiesta" party. The Hollywood actress, 58, has revealed she will officially enter menopause on March 21 - the date which will mark 12 months since her last period - and she is convinced the date needs to be acknowledged like "every other milestone" in life. According to New York Post column PageSix, Halle explained her ideas during an upcoming appearance on 'The Tamsen Show' podcast, saying: "When a woman realizes that she’s in the menopause - you know, 365 days, and you know you’re in it - it is their duty to give that woman a ‘shiesta’ to celebrate her, like we do every other milestone in our life." Halle went on to confess she thought she would be able to "skip" menopause because she has spent so many years prioritising healthy living. She added: "There was a feeling of: ‘Hey, I can do pretty much anything I want to do if I eat right and exercise, and prioritize my health and well-being'. "I thought whatever menopause is - I don’t know much about it - but I’m sure I’m going to skip it, because I’m too healthy! I’m on top of everything." Halle launched her own wellness platform Respin in 2020, but she recently repurposed it to focus on menopause and women’s health issues. The actress has also been campaigning for more research into the menopause and more funding for treatments. She recently told Women's Health magazine: "As women, we've been told that's it's just what happens when you get older - you just have to white-knuckle it, grin and bear it. Well, no, that's just not good enough." Halle recently revealed she was sent into a spin after a doctor misdiagnosed her perimenopause symptoms as herpes and she then spent 72 hours with her partner Van Hunt playing the "blame game" trying to work out how she had contracted the sexually transmitted infection (STI). During an appearance on 'The Drew Barrymore Show', Halle explained: "I tried to go to the bathroom and I couldn’t go. It was so painful when I tried to let a little bit out. I couldn’t go. It took me almost 10 minutes just to empty my bladder because it was so painful. "Substances were down there that I had never seen before. And I thought, ‘What is this?’” After seeing a doctor, she was diagnosed with a "really bad case of herpes", and Halle added: "We spend the next 72 hours doing the blame game, trying to figure out who gave it to me, who gave it to him. And then a couple of hours after that, my doctor called me and said, ‘You do not have herpes'." Halle went on to do some research and discovered her symptoms were linked to perimenopause - which hits prior to menopause.

The long wait for Severance Season 2 ended at the end of January, and six episodes of the ten-episode season have arrived on Apple TV+ thus far.

Actors Mike Ferguson and Twana Barnett have joined the cast of “Last Hit,” a new action thriller that also stars Joe Davison, who appeared in the second season of “Stranger Things,” and Levee Duplay, who was in “The Tailor of Sin City.”

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California’s governor tonight revealed that the fate of the Menendez brothers will take a pivotal turn in the next 90 days — possibly towards freedom.

Democratic Rep. Al Green was removed from the House chamber during President Trump’s address to Congress on Tuesday night.

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The Florida Panthers arrived in Boston feeling pretty good, and rightly so.

Langley RCMP have lifted a shelter-in-place order issued Tuesday afternoon for residents in the 4400-block of 236 Street.

Olivia Munn is heartbroken after the death of her literary agent Tony Etz. The 'Newsroom' star has paid tribute to her agent, who died on Monday (10.03.25) aged 64 after battling Chordoma, a rare form of bone cancer. She wrote on her Instagram Story: "This makes me incredibly sad. This is my literary agent who passed away from cancer yesterday; but that's not how he deserves to be remembered. "He should be remembered as one of the good guys in our business. They didn't get better and kinder than Tony. "Rest in love, my friend. My thoughts are with his sweet family." In a second post, Olivia - who previously battled breast cancer - simply added: "We all love you, Tony. F*** CANCER." Tony spent three decades at the Creative Artists Agency (CAA), with his career seeing him represent several directors, actors, producers and writers, while he was also involved in shows like 'Grey's Anatomy', 'House' and 'Jackass'. Almost two years ago, he requested to write his own obituary, and summed up his career in two lines. As quoted by Deadline, he said: "Over 30 years as a packaging agent, I was foundational in the sale of 'Jackass', 'House', 'Lost', 'Rescue Me', 'Big Little Lies', 'Jury Duty' and 'Tracker' and dozens of other shows. “And I have been a proud citizen of the best city state in the business.” He married fellow TV agent Nancy Etz in 1999 during her time at ICM, and she would join him at CAA seven years later, while they went onto have son Alex together. In a tribute, Peter Tolan - who co-created 'Rescue Me' and 'The Job' - hailed him as "deeply mourned" and "irreplaceable". He added: "He defended those of us who were fortunate enough to be his clients with a ferocity most of our own mothers would be unable to duplicate.” While longtime client Paul Attanasio said: "He had the sensitivity to understand what was unique to me (which I would constantly doubt) but then the breadth of vision to understand how that fit in the larger world (which I didn’t understand at all). "That was the secret ingredient in whatever I was able to accomplish in television. I couldn’t have done it without him.”

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