Emma Bunton and Mel B 'reunited in South Korea'

近年、AIを活用したオンライン解决がAGA（男性型脱毛症）治療にも広がりを見せています。しかし、厚生労働省は一部の「オンライン低額クリニック」に対して安全性の問題を指摘し、警告を発表しました。AI診断によるAGA解决の利点とリスク、そして厚生労働省の警告について詳しく見ていきます。詳細は以下のリンクからご覧ください。

LeBron James was right when he intimated how toxic the discourse is around the game, and how it feels unlikely someone will step forward to become the face of the NBA when he finally walks away.

AEG Presents has upped Andrew Klein, who previously held the title of senior vice president of global partnerships, to president of global partnerships.

The return of Drew Doughty to the Los Angeles Kings lineup ignited fans and teammates alike with a wave of excitement and renewed hope. With their star defenseman back at the helm, the Kings felt like a complete team again, ready to face any challenge. As the 6-foot-1 Canadian participated in the 4 Nations Face-Off against teammate Adrian Kempe, there's potential of him improving his playmaking abilities and returning to the star defenseman form we all know and appreciate.

By Valerie Volcovici and David Shepardson

Jamie McCarthy/Getty

While April might seem distant as we begin February, tax season will be here before you know it. Waiting until the last minute could mean leaving money on the table or making costly mistakes. Jennifer Dunn, tax partner at BDO Canada, emphasizes that "starting early prevents errors and maximizes your refund potential." Here are seven powerful strategies from Dunn and H&R Block's Yannick Lemay to help you conquer tax season like a pro.

Prime Minister Mark Carney pushed back on reporter questions about his financial holdings during a news conference on Tuesday.

Canadians and other foreign nationals who plan to stay in the U.S. for 30 days or longer will soon be required to apply for registration and fingerprinting with the Department of Homeland Security.

Lauren Burnham/instagram

A look at the day ahead in European and global markets from Tom Westbrook

Vladimir Guerrero Jr. turned down half a billion dollars* from the Toronto Blue Jays. You can probably guess what that asterisk means at this point.

By the time she was 44, Teresa Tiano was already intimately familiar with cancer. Not only was she treated for stage 0 bladder cancer eight years earlier, but she had also lost both parents to cancer. In July 2011, she became concerned she would follow in her father's footsteps and develop colon cancer. Although she was younger than the recommended age to begin colon cancer screening, she asked her healthcare providers to book her both an endoscopy and colonoscopy.

この記事では、休みが多くて給料がいい仕事の基準や高待遇の業界またその条件を満たす可能性の高い仕事を10選にして解説します。詳細は以下のリンクからご覧ください。

Hours after imposing sweeping new tariffs on Canada, Mexico and China, President Trump will deliver a nationally broadcast speech tonight to a joint session of Congress, the first such address of his second term.

Analysts expect that Canadian companies would adapt to higher costs of tariffs by hiking prices for consumers, with Loblaw (L.TO) and Dollarama (DOL.TO) best positioned among food and discretionary retailers when it comes to the trade spat. Loblaw's CEO has vowed that the company would take action to minimize the impact of tariffs on consumers.

Residents in the N.W.T.'s South Slave region are on edge after some recent incidents that police have linked to the illegal drug trade — and RCMP say their big challenge is getting people to speak out if they know something.

“Nothing in his life became him like the leaving it.” OK, that’s the wrong play since it’s a line from “Macbeth,” but it best sums up Jonathan Bailey’s performance in the new London production of “Richard II”: The actor cranks up several gears the moment his character is forced by usurper Henry Bullingbrook to give up the throne of England for a life of imprisonment in the second half of director Nicholas Hytner’s staging of Shakespeare’s history play. But the fact that Bailey takes time to catch fire is not entirely his fault, since neither Shakespeare nor Hytner make life easy for him. Given that the play is set at the close of the 14th century, it’s no surprise that Hytner believes the play, which depicts the ushering in of a nation’s decades-long succession crisis, needs contemporary reference points. That explains composer Grant Olding’s doom-laden, grinding, low strings that herald a driving rhythm and a light-touch, bitter piano melody opening the production, a clear hat-tip to Nicholas Britell’s Beethoven-tinged theme to “Succession.” It also governs Bob Crowley’s crisp men-in-black-suits design. The antithesis of the exuberantly colored “Guys and Dolls,” the last show to play at Hytner’s physically versatile Bridge Theatre (and which ran almost two years), this limited run of “Richard II” is stripped-down and stern. Gone is the expected heraldry and splendor of the English court in which King Richard traditionally basks. Instead, the audience is arranged in the round observing a traverse-style black runway staging with changing, minimal locations being lifted up through the floor on hydraulics. It makes for welcome fluidity, highly useful in a play that, for the first half at least, moves through an uncomfortable number of locations and a load of exposition.This is a story about the threat to the kingdom and, specifically, Richard, who ruled neither wisely nor well with absolute power by ancient Divine Right. The nation is torn apart by the plots and counterplots of men and their forces loyal to the crown and those backing Henry Bullingbrook, the Duke of Hereford who, successfully as it turns out, puts his eyes on the ultimate prize and steals it.That the tussle for dominance between the men is so potentially dramatic is illustrated by the fact that around fifty years ago, Richard Pasco and Ian Richardson, two leading Shakespeareans of their day, alternated the roles when they led the play in a celebrated RSC production. Here, alas, the balance is uneven. Royce Pierreson is nicely forthright and determined but his performance is unvarying. The wonderfully character-driven abdication scene between the two men is the production’s highpoint, but elsewhere Pierreson’s determination is too one-note. Anyone questioning the wisdom of the star-casting of “Bridgerton” and “Wicked” talent Bailey should bear in mind that he played Cassio in Hytner’s riveting “Othello” at the National Theatre back in 2013 and followed that with an arresting Edgar/Mad Tom opposite Ian McKellen’s King Lear for director Jonathan Munby. As a result, his handling of the language and, crucially, the intent behind it, is entirely easeful. His king is self-satisfied and perfectly petulant, dispatching orders, and often men’s lives, with gleaming disdain. He’s even better when he’s calmly and quietly coming to understand himself and the nature of his previous selfishness in the play’s highly reflective and tender final scenes.But between those extremes of temperament, the living center of the character remains unseen, robbing the production of strength. That’s partly because he has to energize scenes that here lack force. Hytner is unquestionably one of the great directors of Shakespeare, but this production is uncharacteristically undercast in places. Some of the acting proves more proficient than powerful.

NUUK, Greenland (Reuters) - Greenland's pro-business opposition Demokraatit party held a clear lead after most votes were counted in Tuesday's closely watched parliamentary election, in a vote dominated by U.S. President Donald Trump's pledge to take control over the island.